Biliana K.

decades of research into dematerialisation as a state, led biliana k. into identifying the phenomenon of digitalization and its immaterial state as the “primal informational matter” or pure digital mass. the purpose is to build and construct the body of a totally dematerialised work of art. the notion of an infinite body of the artwork is no longer seen as philosophical, but it is translated and constructed into a technological format through applications. based in geneva, the artist of bulgarian origin biliana k voden aboutaam has graduated from the fine arts academy of brera in milan in scenography and art history. during her studies, she has already shown an interest in the theatrical language of the avant-garde, which does away with the narrative and the units of time and action, until all that remains on stage is without syntax and alphabet: the void. and this is what biliana k. art and technology is here to do. the company is a start-up hybrid that merges two different formats: